Works Cited & Related Literature

  1. Balaram, Rakhee. “Women’s groups and collective art practices.” Counterpractice, 2022, https://doi.org/10.7765/9781526125170.00012.
  2. Datuin, Flaudette May V. What Is Women’s Art, or Is There Such a Thing?
  3. Juan, Cristina. “Art as Post-Script: Online Talk by Cristina Juan on the Life and Art of Elisa Y. Tan.” Facebook, UP Vargas Museum, 22 June 2022, www.facebook.com/vargasmuseum.upd/videos/art-as-post-script-online-talk-by-cristina-juan-on-the-life-and-art-of-elisa-y-t/436061441424389/?locale=ms_MY.
  4. Mukherji, Parul Dave. “Whither art history in a Globalizing World.” The Art Bulletin, vol. 96, no. 2, 2014, pp. 151–155, https://doi.org/10.1080/00043079.2014.898992.
  5. Spencer, Catherine. “Acts of displacement: Lea Lublin’s Mon Fils, may ’68, and feminist Psychosocial Revolt.” Oxford Art Journal, vol. 40, no. 1, 2017, pp. 65–83, https://doi.org/10.1093/oxartj/kcx012.
  6. Spencer, Catherine. “Forms of difference insorcières.” Women: A Cultural Review, vol. 30, no. 3, 2019, pp. 254–279, https://doi.org/10.1080/09574042.2019.1658512.
  7.  Tan, Elisa. “Autobiography.” The Art of Elisa Tan, elisatan.art/index.php/autobiography/.
  8. Yu-Rivera, H, The Ontological Status of the Non-Figurative, the Found Object and the Conceptual in Art